What does a photographer do on a day off?

Why take photos of course!

So I found myself with a day to do whatever I desired. Granted I did attend a dog competition, but I decided not to play. It’s been a busy few weeks for the dogs and I so a break was needed. The competition was part of a 2 day event called The Summerset Festival in Littleton CO. I really wanted to shoot the Hot Air Balloon Glow, but alas a paying client takes priority! So on Sunday I decided to enjoy the festival a little.

I noticed there was a skateboarding competition going on at the park’s skateboard park. I love shooting sports events and had not shot any skateboarding. Honestly, the last time I even thought about a skateboard was when I was a kid myself. Things have changed a little since the late 80’s! I grabbed my camera with my trusty 70-200 and walked over to see what I could so.

Again, I was reminded how important it is for a sports photographer to really understand the sport they’re covering. I had no idea what was going on! After watching for a while and talking with some skater friends I figured out it’s a ‘jam’ format. They break skaters into heats, each heat gets a certain amount of time in the ’street course’ and they’re are several skaters out at a time. The judges watch and score based on the tricks each skater does successfully. Having figured that out, I tried to find a nice safe vantage point to start shooting.

Catching some air out of the bowl

Catching some air out of the bowl

The shot above was taken during the warm ups prior to the start of the competition. I decided to take the approach of always shooting with the sun at my back to avoid harsh shadows. It always seemed that I was on the wrong side of the ‘trick’.

The day was fairly nice to start, but became increasingly cloudy and windy. When it was sunny, I though the sun at my back was still the best approach. I moved around as the morning progressed and tried to balance position with shadows. I do my best not to use any kind of flash for outdoor sports and didn’t want to upset anyone as I was not there in an official capacity.

Flyin high with no limits

Flyin high with no limits

The other aspect of skateboarding I found interesting, and I didn’t notice it until post, was perspective. With the shot above, yes I was able to catch him amidst a cool trick, but how it’s framed doesn’t tell much about it. There is no foreground frame of reference. Did he do this straight off the ground? Catching air off a jump? It’s really hard to tell and almost looks like he’s floating.

Skater jumps a trash can using the bowl to jump

Skater jumps a trash can using the bowl to jump

The shot above has a better foreground, you can see ‘how’ he’s jumping the trash can. This to me gives a much better feel for the difficulty of the trick. I really enjoyed shooting the skaters, I will try to study a little bit on what’s good and not so good. Honestly I have nothing to compare to, so I may need to do a google search on great skateboarding photos!

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Event Photography 101

When I first started in the Disc Dog sport there was a professional photography outfit providing onsite printing. Granted, it was only 1 competition a year and the largest locally. Over the years, they’ve stopped coming. I wonder why????

I’ve been putting together some event photography gigs over the next couple of months for some of the premier Disc Dog competitions. Just finished the first one and I’ve got to say, I learned a lot!

Event photography is a tough business! It’s all about low overhead.

Onsite printing, while provides an excellent customer experience, it comes at a price. You’ve got to have at least 2 high quality, durable printers on hand. If done right, that right there adds several thousand to your overhead. Don’t forget ink, paper, keeping it calibrated and all the prints you end up tossing because the paper stuck just a bit in the feeder…Bad horror movies are made from experiences like this.

Solution: Digital copies! Yes, digital copies. All in all, I think it’s a better value for the customer. They can then decide what size to print (if they print at all) and can print as many as they’d want. They also get an instant ‘backup’ copy of the images. Yes, you still have to have the computers onsite, but use CD burners or other digital options, not printers. Last time I checked CD’s were still less expensive than USB drives, even in bulk and less expensive than prints.

The next step to low overhead is labor costs. One person cannot be Butcher, Baker and Candlestick maker for event photography. You need help and more than you think. So being new to the event world, I begged my friends to help! I also contacted 2 outside photographers for assistance. My plan for paying staff was ‘profit sharing’. Once expenses were covered, profit would be split amongst all the staff. I really expected not even to cover costs and warned everyone. They still decided to help me! They ROCK! If you’re planning on paying day rates, your expenses will be higher.

I had 5 photographers including myself and 2 assistants. I had 3 computers, one for editing/web server assistant and 2 for customer viewing. I used laptops for everything. The editing computer is a very basic MacBook running Adobe Lightroom and MAMP for web services.The viewing laptops were PC’s attached to monitors with a mouse. Everything was networked via a basic linksys router. I used Adobe Lightroom to edit and publish to the server for viewing via the LR web module. All in all the theory was good. I don’t count the computer equipment in overhead because it’s either my personal gear or borrowed.

Problem 1: Too many photographers and not enough editing power. I used one assistant to run CF cards back and forth pretty often, but every 3 or 4 rounds of these events can still yield several hundred shots. Multiply that by 5 shooters and you’re getting backed up in a hurry, and we did!

Solutions 1: Less photographers – I was overstaffed. More assistants – I was understaffed. I should probably have another editing person (add a computer too).

Problem 2: Communication! I took for granted my understanding of the sport. I did not communicate well with my staff. To a certain degree, I wasn’t sure exactly what to say! At one point, I ended up with 4 of shooters on one field, shooting one team, all on the same side of the field. While this produced a ton of images, they weren’t different enough from one another. It really just produced noise for the assistant as well as the customer viewing the gallery. Now I know I need to tell my crew that if you see another shooter on the field, don’t shoot.

Problem 3: Organization! In this sport there are several divisions(Novice, Intermediate, Open etc). The Open division is the only one with two events. The others just do the Toss & Catch event. I wanted viewing galleries by division with Open having 2 event galleries. The competition has two fields, one runs Toss & Catch for Novice/Intermediate and the other has the Open events. I assigned 2 guys per field and thought I was covered. Wrong! I forgot a simple step like telling my guys to switch cards when a division changes or an event changes! We ended up with a bunch of mixed cards and that pretty much killed a bunch of the galleries. Don’t forget, you may offend an Intermediate customer that find themselves in the Novice gallery :)

Solution 3: This can be a tough problem to deal with. There are many ways to handle it, but what ever way you decide, it needs to be ultra efficient. You want to have photos available for people to view by the time they get their dog squared away, grab a drink, rest up and can walk over to the photo tent. I think I’m going to make several series of index cards on a ring. 100 Cards total, sequential numbers on each side. Give these to all the shooters along with a copy of the competition running order. Before each round have the tog snap of picture of the index card indicating the competitor’s number. After that competitor round, start a fresh CF card. Photographers may end up using more CF cards, but you’re going to end up with an easier time on the back-end. Have your runners gather cards every 2 rounds at least. I hope that this makes things easy enough to create viewing galleries based on competitor number! That would provide an awesome customer experience! Click on your number and wham! Photos of you! The editor should be able to see that index card shot and dump the CF card to the correct gallery. We’ll see how that works!

Another small issue I had, one of my shooters ‘forgot’ to format his card before we started. We dumped everything from his card into our library which included a lingerie fashion shoot he had recently done :) I had the luck of finding it while showing a customer some shots. As well, I know we’re all apt to snap a shot when we see one. Why not? We’re photographers right? I noticed one shooter would randomly find a girl in the audience and snap 10-20 shots of her. Resist the urge! Post process at these events can be nothing more than a ‘Yes/No’ question and really should be ‘what you shoot is what the customer views’. Offer color correction, cropping etc as a post sale feature. Having 10 random shots of some girl for customers to view is noise and sends a poor business message. Keep your gun on the fields!

The good thing is, we did ended up covering costs plus a small profit. Nothing to write home about, but some weekend pocket change. I think had the post process not have been such a bottleneck, we would have done better. Getting ready for the next one in September. It will be in Chicago, so being a traveling event things could be much different! After that maybe I’ll write about Event Photography 201!


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2 Things Sports Photographers Hate to Hear

Ever heard these?

1. “Sports photography is easy, just put your camera in burst and fire away!”

2. “Of course you’re getting the shot, look at the size of that lens!”

I think to a certain degree I don’t like these statements because they’re somewhat true! But, there is a lot more to sports photography than just the size of your lens or your camera’s FPS.

Yes, I usually do sports in high speed continuous mode, as I’m sure most sports togs do. At my last shoot (soccer game) I tried to average out about how many shots I was taking per burst. It was about 4-5 per burst. The game moves much faster than you’d expect.  So in reality if you pop off 12 rapid fire shots, you may get the shot you want, but you’ve got 10 discards. If you get the timing down and hit a burst of 3 or 4, you can still get the shot, but don’t have as much post time or discards.

Here is a 4 shot burst I snapped at a soccer game. Which one(s) would you select as the keeper?

1 of 4

1 of 4

2 of 4

2 of 4

3 of 4

3 of 4

4 of 4

4 of 4

It was a toss up between 2 and 3 for me, with 3 being the overall one selected from this bunch.

As you can see, a longer burst really wouldn’t have any additional, better shots. Probably the same two, just more junk around it. It’s amazing how little time you have to compose a shot. For this I really should have switched to my second camera with a 70-200 2.8. The action was so close, if I moved the 400mm into landscape, I would have chopped off heads and feet which I was already getting a bit of here. This shot could use some space for the player to pass/shoot, don’t you think?

Now, let’s talk about that big glass that gets you all the shots!

Did you ever have one of those backyard telescopes when you were a kid? You know, the ones that let you look at the moon’s details a bit, but not much else. Ever notice how just the slightest movement on your part had a huge impact on where you were focused? Did you see that once you got it lined up, how quick you had to readjust to keep up with the earth’s rotation?

It’s the same when shooting through BIG GLASS. Looking down the barrel of a 400mm lens at soccer players passing the ball up and down the field is not easy! As I’m finding out it takes a lot of skill to keep up with the action, let alone anything else!

When the sun goes down and the lights go on, well, it’s whole other ballgame. When you start pushing your ISO to 1600 wide open at 2.8 and just barly getting 1/250 of sec shutter, life gets tricky. Honestly, the 400mm was just too much for me in this situation. I hope with practice to improve, but at the soccer game I went to my tried and true 70-200mm 2.8.

Here are two at very slow shutter speeds both at ISO 1600. Here it seems that you need to try and focus on something in less motion, likes faces. Here I tried to get the players face and shirt in focus.

1/200 sec at 200mm 2.8

1/200 sec at 200mm 2.8

1/125 sec 110mm 2.8

1/125 sec 110mm 2.8

So here’s to happy shooting and would love to hear how you get awesome sports shots!

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The word of the day….’re-focus’…

Did I just make up a word? At least my spellcheck says I did!

What do I mean by ‘re-focus’? Well, really it’s pretty wide reaching for me right now.

So it’s been just a little over a year since I went freelance and it was time to take a look at what I’m doing well and build on it. As well, and most important, what I’m not doing well and figure out how to improve or discontinue those actions.

When I started, I was trying to be Butcher, Baker and Candlestick maker. I didn’t want to eliminate any potential sources of income for myself and tried to advertise as such. It just didn’t work, while I did find clients in every niche I was pursuing, I just wasn’t getting the overall client base that I wanted. My ideal client base is 75% Photography, 20% Web Design and 5% general office IT support. I ended up with about 10% in each! My advertising was set up to try and showcase all those talents and in the end it showcased none of those talents.

I think to be successful in most of these areas, especially web design, it’s a full time job. You have to keep up an standards, browser compatibility, upgrades to technology you’re using and just staying on top of trends in general. I also found I was having a hard time updating my own site just trying to keep up on my clients sites. In my opinion, if I’m a web designer, my site needs to look like I’m at the top of my game and it didn’t. One good thing,  I able to cross sell photography to most of my web clients and one has become a very fruitful photography relationship. I’m not going to do away with web design, just not advertise it anymore. I want people to see me as a creative and qualified photographer first and foremost. Then I can just tell them I do web design as well, if they need it. On that, I’ve redesigned my site, love to hear what you think.

Do I really need lots and lots of new clients?

Simply put, no. That was something that hurt me a lot over the last few of months. I had decided that my current client base just wasn’t generating the income I needed to survive and did a blitzkrieg to gain more clients. My current clients had been pretty quiet, not many updates so things were a little slow. I went out and got several new web clients (and some photo work) and guess what happens? Every single one of my existing clients comes to me with a ton of updates they need! I ended up in over my head. I wasn’t able to deliver quality work in a timely manner and ended up losing most of the new clients I had worked hard to get. I wasn’t able to deliver the customer service I had sold them on. As well, my existing clients were concerned because I was not as on top of things as I had always been.

What did I learn from this?

It’s all about relationships! Sure it’s always nice to develop a new relationship, but if you’re not ready, it will do more harm than good. So, I’ve re-focused my energy, I’m much more cautious when courting a new client and not promise something I can’t deliver.  For the most part, I won’t seek too many new web clients unless it’s being built off a photography relationship. I have a solid web client base, so I just need to nurture and solidify those relationships. I think that will pay larger dividends at the end of the day!

So what does ‘re-focus’ have to do with making a photograph?

Well, because I was in this frantic mode of new, new, new clients, I was not focused on the job. I was thinking about the next one. Again, not providing my highest quality. It’s also a reminder to me to look before I shoot. I still find myself in post production saying “I wish I would have noticed that in the background” or “this would be a great shot if…”

So I’m going to try and live by this for a while. “Slow down, be 100% engaged, and re-focus on the big picture.”

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Rookie guide to Wedding Photography – Lessons learned after my first two.

I’ll honestly say I’ve never been thrilled with the idea of being a ‘wedding photographer’, there is nothing sexy and adventurous  about that! At the same time I do want to make money, so I really can’t say no. With that I’ve decided that the challenge is to create my own style. This will at least feed my creative needs while helping bring home the bacon! I’ve never been one to mess around and decided to jump in head first. I did my first two weddings back to back (Saturday – Sunday). I figured I’d either never want to do one again, or be ready for more.

I’m ready for more….I think…..

Here are a few of the things I learned from my first two. Hope this might help someone else out along their journey.

The first wedding I booked, was booked last summer and was a close friends wedding. Because both parties knew this would be my first experience it was nice. They pretty much said, get us all the family stuff and you have free reign on anything else, they trusted me. When trying to get that first wedding, with absolutely no wedding shots in your portfolio, friends and family can be great. It also lead to lesson #1!

Lesson 1. Only do a friend/family wedding once – First off, the pressure of making sure you capture that special moment for someone is enough. Adding the fact that if you screw up (and you probably will), you have to see these people for the rest of your lives! I don’t want to loose friends that way! As well I tended to not want to stop shooting. From the moment I hit the bride’s house till pretty much the end of the reception I was shooting in fear if missing that one special capture. As well, I really missed enjoying watching two of my friends get hitched. Yes, I saw it all, but my mind was all work and no play.

It just so happened that after I booked my friends wedding, I booked a small wedding for the day before. This made me feel a little better about things as it was very casual. The bride only had one request for a specific shot and I got it (I think). See Bride and Groom.

Bride and Green © 2009 R Green Photography

Bride and Green © 2009 R Green Photography

This was an fairly easy shot since we were outdoors. If I had an assistant with me and thought about it at the time, a gold reflector might have added some nice tones to the shot. Ah another sign of having so much more to learn.

The rain held out on us for this wedding. The trick part with this was the fact that most of the ceremony and reception were under a park gazebo. Not a wood one either, a metal one in a maroonish color. I learned a lot about how to and how not to bounce my flash at both weddings. As long as I stood with my back to the sun, I could get nice light on the bride and groom. We were right on the edge of a pond, so I had limited space. The downside to that vantage point was as the wedding progressed all the guests ended up silhouettes. I’d love to have Pocket Wizards, then I may have been able to stick a flash in the gazebo to light up the guests.

The wedding was at 4:30 in the town of Golden CO. So we were losing light rather quickly. For the most part I used my Canon 70-200mm 2.8L without flash for this. I did use fill flash when I was using my Canon 24-105mm 4.0L. I used two bodies for both weddings. Which unfortunately brings us to lesson #2!

Lesson 2. Always have a backup camera! – The weekend before these weddings, my main camera broke. I was at a dog competition and Err99 started after every shot. I searched the web and tried everything I found to get rid of the error. Called Canon and had to send it back. In retrospect, I’m happy it happen the weekend before and not the weekend of! You need two bodies to walk into any weddings in my opinion. Not only does it give you options as far as lens choice, but just in case something happens to one you have the other! While I found myself shooting most of the shots with one body/lens combo, I liked having both around my neck.

The first wedding was fairly short. As the night progressed my shots got harder with sunlight. I really needed to not bounce my flash and maybe just use a diffuser pointed direct to subject. If you have opinions, please leave comments!

The second wedding involved me doing the ‘full works’ style shoot. I was to show up at the bride’s house early in the morning to capture the ‘hair’ events. I had no idea what I was doing! Still don’t! One thing I did learn is lesson #3!

Lesson 3. If you do a bride’s house visit, bring bagels, donuts, coffee or other munchies! I think I paid 30 bucks for a dozen bagels, (2)cream cheese, a box of coffee with all the needed extras from Einstein Bros. I told them I was on my way to the bride’s house for photos and they set me up! Cups, sugar packs, knives, napkins and every else you need. If you show up with these items, you will be a GOD! The best money I ever spent! This put every one at ease with my presence. I became ‘one of the girls’ for a while (every guys fantasy right?). It also accomplishes one of your toughest goals as a wedding photographer, putting the bride’s mom at ease! If you hear comments like ‘I’ve never seen a photographer bring food!’ from mom, you’ve scored!

While the hair was fun and still have no idea what I’m doing I’ll get to the ceremony. The ceremony was scheduled to be outside, so I really though I had it made with my first two being outdoors. Well as luck would have it, mother nature did n0t agree. The ceremony was moved indoors into an event hall that can be sectioned off. All sections were open. In the process of moving indoors I learned lesson #4!

Lesson 4. Your role as photog is VERY important, use your voice. As things were frantically being moved indoors, things were being done in such a way that wasn’t really photo friendly. I honestly may not have even noticed at the time, but if things can look better, SPEAK UP! You are in charge of capturing that moment! Politely step in and say the photos will be much better if… Everyone understands the photos are important, so just speak up.

Had I thought to speak up I may have been able to convince them not to set the alter up right under one of the wall sections. As I mentioned it was a large event hall that could be sectioned. Where each divider was, the walls were framed out for the divider wall. Bouncing my flash up into that produced mixed results at best. Had they moved back another 5 feet, it was much easier to bounce off the acoustic ceiling tiles.

I found that if I shot from behind the minister, I could get better shots. One side of the room was also entirely windows. Granted, with the thunderstorm, not a lot of light. I found that because of the clouds and setting sun, the blue made a nice back ground. I also lost a lot of shadows that direct. When I shot the other direction, I ended up with shadow issues.

The other thing that was trick with this room was light. The room lights were fluorescent and there were also Christmas lights and candles. White balance was a bitch! I honestly can’t say I know how to adjust for that, but my lesson learned here is #5.

Lesson 5. Shoot in RAW. For me, I like knowing that if I have to make adjustments to things I can do it on an uncompressed file. Exposure, White Balance, Color Temp are easier to alter with RAW. This statement could start a religious war I know, so if you have an opinion please share nice!

I was not happy with my balance and never was able to even things out very well in post. Please, if you have recommendations, please share! I ended up working from an ‘aged photo’ preset in Adobe Lightroom.

Mom and Bride

Mom and Bride

It almost brought a black and white feel, but keeping some soft color in all the pink. I liked the bride and mom shot a lot because I thought it captured the emotion perfectly. I know I could probably improve on it, just not sure where to go from here.

The thing I like about this de-saturation post process is it kinds of gives a timeless feel. I like that feel in a wedding photo.

Lesson #6. If you make bride and mom cry. Mission Accomplished!

The capture below is another using the same post process technique.

Flower Girl

Flower Girl

I really liked the way the movement looks in the flower girl. The background is faded enough to keep a classy feel, at least to me. I’d love to hear other comments as well!

FINAL LESSON. Always be willing to learn. There are opportunities for all of us at any level, to learn something from a wedding shoot. Sometimes it may take a while to find it, but it is always there!

I’ll stop rambling now! Until next time, happy shooting!

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How to protect your photography online?

How to protect your photography online?

That’s a pretty tall order in my humble opinion. First off you’re probably not the only one putting your work online :) At one point in time I had at least 4 friends on Facebook all using one of my photos as their profile photo, none of which I had uploaded to Facebook! In the end I don’t mind, they’re my friends of course! But what happens when a model hires you to flesh out a portfolio? How many websites are they going to upload it too?

For the sake of discussion, let’s break this down into 2 parts.

1. The things you can control.

2. The things you cannot control.

THINGS YOU CAN CONTROL

There are a few things you can do to help protect your images during post production as well as delivery of your finished product. When importing files from your memory card, most programs like Adobe Lightroom and Photoshop allow you control aspects of the import. In Lightroom you can set up ‘templates’ for these import processes so they can be applied universally to every file. One of these templates is ‘copyright’. Create a custom template or make sure to fill these fields out every single time. If the software you use has the option and you have a website, add a link to a copyright statement on your website. It’s doesn’t need to be fancy, but it’s important. Here is mine. If you use multiple programs in your post production, make sure your final product still contains that information. It can get lost moving between programs.

If you really want to be careful, only provide clients with physical prints. But let’s face it, in this day and age I don’t think that’s possible.

When I provide clients a finished CD I usually have several different version of the file on the disc. A ‘Hi-Res’ version which is what ever format they’ve required (tiff, jpeg etc), and a ‘web ready’ version. Prior to creating the CD, I verify that all the copyright information is there and I add watermarks to all files (sometimes the Hi-Res won’t include them due to requirements). My ‘web ready’ images have been resized down to no larger that 600 pixels on the long edge. For the most part all web images should not any larger than that not only for good webdesign, but it’s a lot harder to make a quality print out of the smaller compressed file.

Being a web designer, it amazes me to see some photographers websites. No offense, but there are some great photographers out there with horrible websites. I’m no crack pot designer, but my site ranks fairly high in the http://www.alexa.com/ rankings and is climbing on Google. One mistake I see more often than not is the delivery of images. Flash is cool and I use it myself, but if you’re doing your entire site in Flash, your site rankings are never going to be good. Search engines cannot index text within Flash or other media types (jpeg, png etc). So if you have all of your important information within these file type, they’re not searchable. As well, Flash has been sold as way to ‘protect’ your images online. IT DOES NOT! Sure, it may make downloading the file difficult, but you can do a screen print on most computers without fancy photoshop software.

Mac:

  • Hold down Apple key ⌘ + Shift + 4 and release all key
  • Now, You
    will see
    the
    mouse cursor will change to +
  • You can start to drag your mouse to select the portion you wish to capture.
  • Once finish, you
    will see
    a picture file in at your desktop. That’s the

    screen capture
    picture in Mac.

PC: ALT – Print Screen.

To me a watermark is the way to go with online images. If you use sites like http://www.deviantart.com/ as a vehicle to sell prints, they usually have options to add a site watermark as well. Don’t get me wrong, watermarks aren’t fool proof either. A great photoshop wizard can usually remove those and I’ve seen it done plenty of times.

So that leads us to copyright. Make it official http://www.copyright.gov/. Spend the money and copyright EVERYTHING! It’s pretty much your last resort with all the things you cannot control.

THINGS YOU CANNOT CONTROL

Pretty much once you’ve put it out there, it’s out there. If you’ve done everything above (I’m sure I missed something), you’ve controlled everything you can. I’m not a big fan of TF* work, but if you can find a lawyer that needs good head shots, hit them up!

Maybe next time I’ll talk about SEO for photographers.

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Product Photo Session 1 – Dog Food

I’m working on a web project that also includes some product photography. I decided early on to aim for a more commercial feel rather than just plain old white product ebay shots. The product was a challenge for sure. Pet Food. In bags and some loose. The bags were either 22lbs or 8lbs. The only constraint was not being able to open the bags and remove some food. That was important and I’ll cover that later. My friend Clint PA’d for me (big thanks). These are a few of the test shots. One of the bags happens to be aluminum in some areas, very reflective. See shot #1

ISO 100 32mm f/10 1.3 sec

ISO 100 32mm f/10 1.3 sec

First off.Here is a list of equipment I used for the shoot.

  • canon 40d
  • canon ef 100 mm 2.8usm macro
  • canon ef 24-105mm 4l is usm
  • SV Flashlite 110i mono light w/blue gel and honeycomb
  • 2 Photo Basic 500w 3200k w/silver umbrellas
  • Quantaray 32″ diffuser
  • Lots of black sheets
  • various items including 2 PA speakers (12″w/tweeters) and a black card table(best 14.99 spent)

I was pretty much using the PB’s w/umbrellas as side light trying to get as much diffusion as possible. Trying to not reflect off  the silver and still bring out the white.

Over all I’m not happy with the temp. Still a little too yellow. The other problem was not being able to remove any of the food. So it was very hard to keep the bags looking even and not ‘pregnant’. I will try to see if I can remove some of the product and maybe replace it with shredded newspaper in later shoots. For the most part shooting a single bag was ok and I found a couple of angles that I will play around with further. See shot # 2

ISO 100 45mm f/10 2.0 sec

ISO 100 45mm f/10 2.0 sec

My friend and PA for the night (I did at least feed him!), was kind enough to use the diffuser to try and help kill some of the glare. The problem I noticed was being able to keep the top part of the silver nice and clear, while not completely loosing it at the bottom of the bag. My lights were pretty high, so next time I will try to lower them. I have a couple of cheap (like most of my equipment) tapletop lights that came with my soft boxes. I may give those a try. All in all I don’t think the angle in shot 2 will become a keeper. But I do have to keep in mind, not only am I doing these for the website, I hope they make it into all printed materiel.

So I had an I idea that would make a nice web page along with a good brochure image I gathered up the three dog food brands that I had and try to create a little depth with a staggered set up. The bags were very difficult to keep upright and not el prego. See shot # 3.

ISO 100 28mm f/9.0 0.6 sec

ISO 100 28mm f/9.0 0.6 sec

This shot was kind if cool and I’d much rather have two of the same kind of smaller bag. The one solid white looks out of place to me. But the test shot at least got my juices and the clients juices flowing. The company owner uses her dog as part of their advertising. So we’re going to set this shot up with the dog sitting behind the bags. I wanted to use my dog Mariah because she’s a great model and because she’s white, she pops on the black background. As long as the food bowl is empty she might even sit still! But we are going to set it up and shoot with Lucy Lu (the dog, not the actress).

I also wanted to try and get some of the cool little shots than make great ad filler, and web page content. So since I also happen to feed this brand I filled up a nice looking bowl and put the macro on. I played around with a few different lighting techniques but finally decided on the SV Flashlite with a honeycomb. The food was coming out an aweful color, so I played around with a few color gels and found that blue really brought out the food well. See shot #4.

ISO 100 100mm f/9.0 2.5 sec

ISO 100 100mm f/9.0 2.5 sec

This shot was done with the macro. Used the flashlite 110i with honeycomb and blue gel. Pretty basic and generic shot that makes decent content. I may play around with spraying the food with something to give it a little bit of a shine. Please if you have any suggestions please let me know. I would think water may soak in too much. PAM? ‘I said cooking with PAM! Makes kitchen time easier! I say Muffins don’t stick..’

I decided to try a few different shots of this type to see what I could come up with. My favorite (which I think I know how to perfect) is in this final shot#5. I really like that shot.

ISO 100 100mm f/9.0 2.0 sec

ISO 100 100mm f/9.0 2.0 sec

There is just something about the colors of the bag in the background. There are a few adjustments I’d like to make as far as angle and the depth of the bag in the back. Had the PB light set up high for the bag lighting and had the SV pointed directly at the food with the blue gel. You can see a bit of the gel reflection in the bag. I’ll get that taken care of as well.

All in all I was pretty happy with the test shot and know what I want to change. The client was also happy with the tests and the test pages (http://pfi.rgreenphotography.com). So now I get to do the dog food again and then it’s on to Ferret food!

Until next time, happy shooting.

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Wordpress Template Design

For the longest time I always told myself that if I ever needed a blog I would just bake one up with CakePHP. I still might one of these days, but probably not. I think I’d much rather find a different wheel to recreate. So that in essence means doing something that I really hate doing. Using a template based product like Wordpress. Honestly I’ve been thinking of the whole ‘buy vs. build’ argument a lot lately. Which really is a topic for another time. For now I’ll just share some of my headaches with getting a ‘custom’ theme working on my site.

First off, I’m really not very good at reading instructions. So I just downloaded Wordpress and starting getting it all installed. Really wasn’t too difficult. Set up a Database, run the installer and BAM! you’ve got a blog! My requirement was that what ever I did, I wanted it to look just like my site. I played around with the default template a little as well as the other included. Decent enough templates, but not what I want. I’ve always has this feeling that by the time I figure out how a site uses their templates, I could have just written my own! I searched around to see if there was a theme that was pretty close and would only require a couple of tweeks when I stumbled upon the thematic theme. I figured the line “the starting point for theme development” was promising. For the most it was promising.

I created a ’sub theme’ that extended the thematic design, added a custom style sheet that contained my sites basic layout, and added my menus to the header. Everything seems to work just fine. While there is a part of me that thinks this may just be a quick hack, by design that’s how the theme is supposed to work so, who knows. Matter of opinion I guess.

From skimming some docs and the updates to thematic, I think I’m starting to get it. Looks like I can get into some adventurous trouble. Glad I have a test site!

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Let the bloggin begin!

So as well as making a few updates to my site I’ve decided to give this whole bloggin thing a try. I’ll admit, I tried once before on blogspot.com and didn’t really keep up with it. At the time I really don’t think I had anything to talk about! Now I think I do. Becoming a freelance photographer, web designer and general IT man about town has most certinaly given me something to talk about. I will keep things in two general categories. One for photography, where I will talk about, that’s right you guessed it, photography! Themes may be technical in nature, how to shoot something in particular. Maybe about trying to make a living as a photographer, who know. The other main category will be Web Development & Deisgn. Geeks unite! Here I will post about technical stuff about creating web sites and applications. I’ve grown to love the CakePHP framework and will share some of the experiences I have with it along with code examples. Please feel free to interact and add your 2 cents. I’m always willing to learn! As well as geek stuff, I’ll probably blab about the business aspect of web design and hope to interact and learn from other professionals. That should do it for my first offical post. Check back often!

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